ART OF THE SHOT: Christian Sebaldt, ASC
In 2010, Christian Sebaldt, ASC, won a Primetime EMMY and an ASC nomination for his work on “CSI: Crime Scene...
Let’s Edit with Media Composer – Creating Film Looks with BCC
In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks inside of Avid Media...
Light the background to light the foreground
Years ago, when I first lit a shot of an actor, head to toe, standing on a green screen cyc,...
ART OF THE CUT with Maryann Brandon, ACE on cutting Passengers
A year ago, Maryann Brandon was nominated for an Oscar for Best Editing for Star Wars: The Force Awakens....
Quick Look: EasyTracker for FCPX
I get these emails from “Sara at CrumplePop”, spruiking all sorts of clever plugins for FCPX. Normally I resist the...
Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO
What’s the most inefficient part of your workflow? It’s a big question with answers that can range from the...
ART OF THE CUT with Thelma Schoonmaker on Silence.
Thelma Schoonmaker, ACE is an iconic presence in the world of editing. Arguably, no name is known better in...
REVIEW: Ready Rig GS Gimbal Support
Camera gimbals like the Freefly Movi and DJI Ronin are wonderful tools, but if you pair them with any...
ART OF THE CUT with Manchester by the Sea’s Jennifer Lame
Jennifer Lame started working as an assistant editor on TV shows like 30 Rock and Smash before joining editing...
Thunderbolt 3: Now the revolution begins
2500 megabytes per second drives. Dual 4K displays. External PCIe system expansion. Thunderbolt is no longer just a faster...
