ART OF THE CUT with “Mr. Robot” editor, Philip Harrison
ART OF THE CUT talks to Philip Harrison about the distinctive cutting approach of the binge-worthy TV series Mr....
Flicker: Why On-Set Monitors Fail Us
While working as a young second camera assistant on a film TV series in the 1990s, I noticed the...
How to prepare for your next Motion Graphics project
When it comes to motion graphics, a lot of people begin with the actual design process far too early....
Review – Titler Pro 5 from NewBlueFX
A few hiccups doesn’t stop this from being an awesome titling app!
Vintage TV Studios in Modern Film and Television
Have you ever watched a movie or a television program set in a time decades ago that had a...
Stop working for free!
It’s becoming more and more frustrating lately seeing all the people posting online looking for people to work for...
Scorpion VFX: a modern take on the VFX pipeline
The team behind the primetime hit series Scorpion takes an unconventional approach to post-production to deliver a staggering number...
Rigging Transitions in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to rig a transition in Motion...
Small Camera, Big Picture – Producing a Dream with the Sony a6300
Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with...
Shooting With Fujinon’s New MK18-55mm Cinema Lens
Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new...
