After Effects Bootcamp for Avid Editors – Part 2
If you’re a Media Composer editor looking to add Adobe After Effects to your editing toolkit, part two of this two...
King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos
The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods...
Spreaker platform for the new radio: compelling features + my suggestions
Misunderstandings abound regarding the meaning of a “media host” for online radio shows (podcasts and beyond) as opposed to...
Review: Fujinon MK18-55mm T2.9 E-mount cine zoom
Fujinon has just announced two new lightweight cine zooms for E-mount cameras, the MK18-55mm T2.9 and the MK50-135mm T2.9....
ART OF THE CUT editing Best Picture nominee “LION”
Alexandre De Franceschi, ASE (Australian Screen Editors) has been an editor for more than 30 years, cutting over a...
Review: Panasonic VariCam LT 4K Super35mm Cine Camera
The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in...
After Effects Bootcamp for Avid Editors – Part 1
If you’re a Media Composer editor looking to add After Effects to your editing toolkit, this first of a...
Get Started Fast with Media Composer for Adobe Editors — Part 5
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Attack of the Cyber Octopuses: Sci-Fi without CGI
Imagine William Gibson’s cyberpunk universe and sci-fi products like Blade Runner, Terminator, Escape from New York, Aliens, Akira or...
