Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT with the editor of “Angel Has Fallen,” Gabriel Fleming, ACE

ART OF THE CUT with the editor of “Angel Has Fallen,” Gabriel Fleming, ACE

Gabriel Fleming, ACE, began his editing career in reality TV, cutting shows like “Making the Band” and “America’s Next Top Model.” That led him…

ART OF THE CUT with Kevin Tent, ACE on editing “Peanut Butter Falcon”

ART OF THE CUT with Kevin Tent, ACE on editing “Peanut Butter Falcon”

Kevin Tent, ACE, has been nominated for an Oscar and numerous ACE Eddie Awards for his work on Election, About Schmidt, Sideways, The Descendants, and Nebraska. He also won an…

ART OF THE CUT with Fred Raskin, ACE on editing “Once Upon a Time in…Hollywood”

ART OF THE CUT with Fred Raskin, ACE on editing “Once Upon a Time in…Hollywood”

As an assistant editor to the legendary Sally Menke, Fred Raskin, ACE, worked on both of Quentin Tarantino’s Kill Bill movies and created a working relationship with the director…

ART OF THE CUT with the editors of “Spider-Man: Far from Home”

ART OF THE CUT with the editors of “Spider-Man: Far from Home”

Spider-Man: Far From Home was edited by veteran MCU (Marvel Comics Universe) editor, Dan Lebental, ACE, and another experienced big-budget editor, Leigh Folsom Boyd. Lebental’s credits…

ART OF THE CUT with Oscar-winning editor Mark Sanger, ACE

ART OF THE CUT with Oscar-winning editor Mark Sanger, ACE

Mark Sanger, ACE was one of the very first guests on Art of the Cut when he won the Oscar for Best Editing for Gravity in 2013 – a film…

ART OF THE CUT with feature film editor, Roger Barton

ART OF THE CUT with feature film editor, Roger Barton

Roger Barton has edited many of the biggest and most iconic films in Hollywood history. As an associate editor, he worked on Titanic and Armageddon. His films as editor include…

71st Emmy Awards – Art of the Cut nominated editors

71st Emmy Awards – Art of the Cut nominated editors

Congratulations to all of the nominated picture editors for this year’s Emmy Awards. (71st Emmy Awards) If you’re interested in reading about the editors involved in…

ART OF THE CUT with documentary editor Paul Crowder, ACE

ART OF THE CUT with documentary editor Paul Crowder, ACE

Paul Crowder, ACE is a London-born, L.A.-based editor. I last spoke with him when he edited Ron Howard’s fantastic tribute to the Fab Four: “The Beatles…

ART OF THE CUT with “Chernobyl” editor, Simon Smith

ART OF THE CUT with “Chernobyl” editor, Simon Smith

Editor Simon Smith has worked on a variety of TV series in the UK for the BBC, including National Treasure, Electric Dreams, Victoria and Endeavour, among others. His latest assignment…

ART OF THE CUT with doc director/editor Todd Miller on “Apollo 11”

ART OF THE CUT with doc director/editor Todd Miller on “Apollo 11”

I saw Apollo 11 in theatres several months ago, and recently the film has aired on CNN. It was gorgeous and fascinating and – in my eyes, at least &#8211…