Is the film industry really ready for 12K? What it takes to create impressive sensors for cinema cameras
Recent insights about the RED Komodo 6K S35 have gotten lots of cinematographers excited, but the new URSA Mini...
ART OF THE CUT Congratulates 2020 Emmy Editing nominees
Congratulations to all of the editors who were just nominated for Primetime 2020 Emmy Awards. Many have been on...
First look: Saramonic SoundBird T3 shotgun microphone
I was honored to receive a review sample of Saramonic’s new SoundBird T3 shotgun microphone. Here is a “first...
Sony Alpha 7S III: designed for photo and video journalists
The Sony Alpha 7S III is out and the crowds are about to compare it with the Canon EOS...
Foreign language editing using SRT files
My new film The Right Girls is coming out soon. It is about three transgender women who were part...
ART OF THE CUT with Hervé Schneid, ACE, editor of ZeroZeroZero
In this interview, I’m talking with Hervé Schneid, ACE. We’re discussing his editing of the eight-episode Amazon Prime TV...
TV/Film Production Realities in the Scripted and Unscripted Worlds: Part 5, Pre-Prod and Production
Pre-production! Finally, an area where there are more similarities than differences in the Unscripted and Scripted worlds. Everything depends...
First look: UltraStudio Recorder 3G from Blackmagic
Although the big media hype is about Blackmagic’s new 12K camera with its amazing sensor, the other intriguing new...
Reviewing the Sigma FP: A Full-Frame Sensor In A Tiny Body
Small. Feather-Light. Full-Frame. We are talking about the Sigma FP mirrorless camera. Sigma has thrown a ton of great...
Art Of The Cut Podcast Eps. 57 (“Zero Zero Zero” Editor Herve Schneid, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
