When lens metadata goes bad…
(First, there’s nothing very useful in this post, it’s just for fun. If you’re looking for news you can...
Free masterclass: Shooting day for night
Day for night is an essential technique in modern production and one of those B-movie giveaways when it’s done...
How Canon Made A Virtual Press Conference During COVID19
When a global pandemic shuts everything down, even the NAB convention with nearly 100,000 attendees, and you still have...
ART OF THE CUT with Felicia Livingston
Felicia Livingston’s editing credits include the TV series, All American, You, The Red Line, The Flash, Supergirl, and American...
Art Of The Cut Podcast Eps. 54 (“All American” Editor Felicia Livingston)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Testers wanted: FieldMonitor for Canons
I’ve got my FieldMonitor app talking to Canons, but I need some help testing it. Anyone game? FieldMonitor connects...
How to Prepare a Killer Production “Bible” for a TV or Web Series
Before you sell the next “Stranger Things” or “Mindhunter” to Netflix, or the next “Curb Your Enthusiasm” to HBO,...
TV/Film Production Realities in the Scripted and Unscripted Worlds: Part 3, Casting
Casting, Casting, Casting! Yes, it all comes down to casting, whether in the Unscripted or Scripted world. Who do...
ART OF THE CUT with the editors of “Snowpiercer”
My guests for this Art of the Cut interview are Jay Prichidny and Cheryl Potter. Cheryl’s filmography as an...
Art Of The Cut Podcast Eps. 53 (“Snowpiercer” Editors Jay Prychidny & Cheryl Potter)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
