SSD drives and the Samsung Portable T7 SSD
Speed and size is good. Hard drives are a necessary part of video editing. I put hard drives in italics as...
Production During a Pandemic: Working as a COVID 19 Compliance Officer for a Film Production
I’m an impostor. Well . . . in my mind. Frequently. The latest episode began as a result of...
Eye effects: the subtle art of digital eye surgery
The seemingly simple task of changing an actor’s eye color is in actuality a very detailed process. The eyes...
Creating High-Volume, Short-Form Animated Content for Quibi’s “Your Daily Horoscope” From Home
Earlier in the month, the team at Adobe hit me up and I was given the opportunity to interview...
Apple begins reviving matte option in inboard displays!
Ever since Apple cruelly eliminated the matte option in its internal displays many years ago, I have been quite...
TV/Film Production Realities in the Scripted and Unscripted Worlds: Part 6, Post-production
Whether it’s in Scripted or Unscripted, post-production is considered the final “writing” layer of the filmmaking process. As such,...
Introducting “Hollywood, How Did You Get Here?”, A New Cinematography Podcast From Filmtools & Tim Smith
Today Filmtools and Tim Smith released a new podcast called “Hollywood, How Did You Get Here?” In this podcast...
Art Of The Cut Podcast Eps. 59 (“The Old Guard” Editor Terilyn A. Shropshire, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Useful Tools for Editors: Still Masked Edition
It’s hot, it’s muggy and we’re still having to be socially distant or staying at home or quarantined depending...
ART OF THE CUT with “The Old Guard” editor, Terilyn Shropshire, ACE
I had the good fortune of meeting Terilyn Shropshire, ACE, when I moderated a fantastic roundtable discussion that was...
