Rendering 45 percent faster using Multi-Frame Rendering in After Effects on “The Voice”
Over his accomplished career, Anderson has worked on some of television’s biggest events, including the Oscars, the Grammy Awards,...
SolidLight, a scalable holographic display for huge video walls
Allowing viewers to experience digital objects in the physical world that escape the screen and are indistinguishable from reality,...
Panasonic LUMIX BS1H: a new cinema camera in a compact body
The new “box-style” cinema camera from LUMIX is a full-frame model with 6K 24p / 5.9K 30p 10-bit unlimited...
How to choose the best hardware for Multi-Frame Rendering in After Effects
Multi-frame rendering is currently available in Adobe After Effects Beta. Introduction With the new 22.x version of After Effects,...
Canon RF5.2mm F2.8 L Dual Fisheye: a world’s first for VR capture
The world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single...
Post|Production World is online and free
The Post|Production World conference is a staple of NAB Show and while we were planning to move full speed...
Manfrotto MOVE: a whole new way to move cameras
Manfrotto announced MOVE, claiming it is the lightest Quick Release System on the market for dynamic users. The system...
Cinematic Mode, the future of iPhone cinematography, and ProRes on a phone
By now, you’ll have likely seen an article or social post about Cinematic Mode, the new computational background blur available...
The upgrade treadmill
Given the resources put into upgrading film and TV equipment in the last couple of decades, it’d be easy...
Review: Maono AU-WM820 wireless microphone system under US$100
Here is my review of the AU-WM820 wireless system. The kit includes a transmitter, receiver, charging cables and a...
