Production
On the US Tech Bans
Recently, I’ve reviewed some nice cameras and microphones from DJI, and I’ll be reviewing more soon, but this is...
Production
Review: DJI Mic Mini 2S
The world of small, good microphones has exploded over the last few years. Many brands make several different kinds,...
Production
Review: DJI Osmo Pocket 4P
Coming so soon after the Osmo Pocket 4, what’s new with the DJI Osmo Pocket 4P? In this review,...
Post Production
Great ways to use Auto Mask in Final Cut Pro
The big three editing apps (Final Cut Pro, Premiere, Resolve) all copy features from one another, sooner or later....
Post Production
Surprise! It’s Final Cut Pro 12.3
Sooner than you may have expected, yes, it’s time for another major release of Final Cut Pro, with features...
Production
Review: DJI Osmo Pocket 4
The Osmo Pocket has made a serious impact in the casual creator community over the last few years, and...
Post Production
Rethinking color correction in Final Cut Pro, with Kolor
The three most widely used NLEs have always taken very different approaches to dealing with colour. Resolve’s origins as...
Post Production
Why you should care about keyframe graphs
Keyframe animation is an important topic for a video editor and animators alike. While not every editor needs to...
Post Production
BRAW in FCP and beyond, with BRAW Toolbox v3.0
BRAW is the best format that Blackmagic cameras can use — and it’s a good choice. Though many older...
Production
Review: DJI Avata 360
Drones have become mainstream over the past few years, and I probably won’t get to hang out of a...
