Will smartphones replace real cameras?
With computational photography and so many other technological advancements, will smartphones replace your DSLR or mirrorless? For some people...
Bringing the wild west to life with Adobe Premiere Pro
Michael Buday has worked in the film industry for more than 30 years, editing everything from BBC documentaries to...
Grave Robber will un-nest your nested Adobe Premiere Pro sequences
One incredibly useful thing most non-linear editing applications can do is nest multiple clips within the timeline into one single clip. Some...
After Effects Roundup October 2021
Adobe MAX 2021 ran online this last week on October 26-28. Formal releases of Creative Cloud 2022 were announced,...
How bright is your light?
When Mole-Richardson launched its biggest, 3000-watt LED, there was much rejoicing – finally, a real LED movie light, with...
A Vlog Monitor to use with the Xperia PRO-I smartphone
Along with the announcement of the new Xperia PRO-I smartphone for photographers and videographers, Sony introduced a Vlog Monitor...
Adobe MAX 2021 means an updated Adobe Premiere Pro
It’s time for another Adobe MAX which must mean yet another update to Adobe Premiere Pro! Adobe MAX is once again...
Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 1
I was excited to take delivery of the newly announced MacBook Pro M1 Max last week for some post-production-related...
Review: DxO FilmPack 6, an interactive Time Machine
Support for X-Trans RAW files, in Beta, is a key feature of the new DxO FilmPack 6, which brings...
Road testing the //ROGUE PRO by DigitalGlue
Earlier this year we covered the announcement of the //ROGUE PRO. Recently we had a chance to test drive...
