With constant T2.6, parfocal operation and internal zooming, the two sub-1.8 kg bodies extend the Arles line, from DZOFILM,...

Purpose-built for the GFX ETERNA 55 digital filmmaking camera, the VF-GFXC2 EVF is expected to be released by the...

The ETERNA ProRemote app for iOS and iPadOS devices enables simple remote camera control and video monitoring of up...

If you work in post-production, the 2026 Engineering, Science & Technology Emmy Award recipient list announced September 3 by...

The Pyro 7 Ultra from Hollyland features a bright QD-LCD display with broadcast-grade color, plus ultra-low latency wireless transmission...

Following on from last year’s Osmo 360, the new Osmo 360 II promises several improvements. From the press release:...

The FUJINON UA94x8.7BESM 4K is a a versatile box zoom lens for 2/3-inch sensor broadcast cameras designed for a...

Sigma introduced the Aizu Prime 21mm T1.3 LF, 100mm T1.3 LF, and 125mm T1.3 LF, three new lens additions...

In live production, broadcast setups, and commercial AV installations, the line between smooth, high-fidelity operations and technical failure often...

I affectionately call PacRad the “filmmaker’s hardware store.” Browsing the website is very much like walking into a brick-and-mortar...

This article is not about the popular recent trend for many wireless AirPods users to return to wired, either...

I’ll start with this – I think it might be wise to separate Sony FX5 camera announcements from Sony...

Optimized around the iPhone’s periscope module, X.Series SuperZoom gives you predictable, razor-sharp tele results every time you choose 4×, 5×...

The long-awaited GoPro Mission 1 Pro ILS finally arrived, and with much anticipation I scrambled to assemble a few...