We had a chance to talk to Sony about the new firmware 4.0 for the Sony VENICE. The big...

I last spoke to Lee Smith, ACE, when he edited Dunkirk, which won him an Oscar for Best Achievement...

According to Panavision, the PanaSpeed lens line-up is a large-format update of the classic Primo look. At T1.4, the...

Sporting t-shirts showing the Cine Gear 2019 attendees how exactly to pronounce Sumire, Canon’s new PL Prime Lens line...

With the amount of data created, captured or replicated across the globe rising to 175 zettabytes by 2025, Seagate...

Blackmagic Design announced the Teranex Mini SDI to DisplayPort 8K HDR, an advanced 8K DisplayPort monitoring solution with dual...

Each week The Filmtools Podcast talks with industry professionals in a candid conversation about their career, relevant news within...

Another year, another Cine Gear. Is there any other show that brings together so many unusual film and video...

Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The...

It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019....

The biggest ever updates to Affinity Photo and Affinity Designer bring power and extensive new features. The Mac versions...

Panasonic rolled out the full-frame Lumix S1H at Cine Gear Expo with a presentation, a demo film, and a...

On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...

Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...