Blackmagic Design shows off a Multicam broadcast workflow featuring URSA Broadcast and ATEM 2 M/E Production Studio 4K, to...

Large Format. Full Frame. That super shallow depth of field. The evolution of filmmaking has been in a state...

The new white Sony lenses, FE 600mm F4 GM OSS and FE 200-600mm F5.6-6.3 G OSS for full frame...

June 12, 2009 was the last day of full-power over-the-air analog broadcasting in the USA. Well, mostly: the original...

In CapicúaFM’s episode 42 (in Castilian), Ecuadorian attorney Viviana Paredes and I discuss the concerning situation regarding our freedom...

This camera, according to Panasonic, is designed especially for film production. The LUMIX S1H is more than a mirrorless...

Although Apple omitted it from the WWDC keynote last week, several beta testers of iOS 13 and iPadOS have...

Imerge Pro 3 has landed and it comes with, says FXhome, massive changes with everything from the user interface...

A complete game changer, the Steadicam Air monopod allows users complete freedom in operating, as they can go from...

Ari Krupnik decided sound sync was a good place to try a different approach, so he created LTCsync. Now...

If you are a painter and you want to learn from the Masters you have to study those who...

Continuing our look at effects that take advantage of “blur maps”, the two movies below focus on Lens Blur....

Self-feeding Particle System Build an infinitely animating procedural system. This week Thanks for stopping by again to check out...

At Cine Gear 2019 we got to opportunity to check out the Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH...