ART OF THE CUT on cutting “DEADPOOL” with Premiere Pro CC
Vashi Nedomansky trained a team of Avid editors and assistants for their switch to Premiere Pro for “Deadpool” and...
First Look: Red Giant PluralEyes 4
PluralEyes 4 automates audio/video synchronization in seconds instead of days, giving videographers and filmmakers edit-ready footage without clappers or timecode....
Animating with transitions in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can create animations in Final...
Final Cut Pro X: slipping audio without detaching it
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for slipping the audio...
ART OF THE CUT with “Straight Outta Compton”‘s editor Billy Fox
Billy Fox, ACE has numerous Emmys nominations for his editorial and producing work and won an Emmy as a...
Media Composer 101 – ADVANCED – Multicam Editing in v8.5
In this lesson, Kevin P McAuliffe takes a specific look at Multicam editing with the new Waveform Sync option,...
2016 EDDIE AWARDS ANNOUNCED
2016 Eddie Awards were given out last night. Here are the nominees and winners.
Kicking the tires on Avid Media Composer 8.5
Media Composer editors can rejoice with the update of Avid Media Composer to version 8.5. It’s a big release...
Media Composer 101 – What’s new in version 8.5
In this lesson, Kevin P McAuliffe talks about the new features in the new 8.5 release of Avid Media...
Media Composer 101 – Lesson 18 – Basic Editing & Timeline Views
In this lesson, Kevin P McAuliffe gets you up to speed with basic editing inside of Avid Media Composer,...
