-1024x720.jpg "In L.A.? Meet the Oscar nominated editors! 1")
.jpg "In L.A.? Meet the Oscar nominated editors! 2")
In L.A.? Meet the Oscar nominated editors!
American Cinema Editors will hold its annual roundtable of the Oscar nominated editors at Grauman’s Hollywood Egyptian Theatre February...
Creating screen replacement effects in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can use the Distort tool...
Q and A with Wipster about the Vimeo + Wipster Partnership
I’ve long been a big fan of proper Review and Approcal services. My Review and Approval Options for Video Pros is...
ART OF THE CUT with “Deadpool” editor Julian Clarke
“Deadpool” is one of the biggest films to date to be edited in Premiere Pro CC. Its editor, Julian...
Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 1
With the move to larger then HD projects, there have been some changes in Media Composer that editors need...
Get Started Fast with Media Composer for High-Res Workflows—Part 5
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 4
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Easy Split-Screens in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training some options for reframing video clips in...
Review: Red Giant PluralEyes 4
Those of us who have been around the film and video post-production biz for awhile will remember a day...
ART OF THE CUT with Steve Mirkovich, ACE, editor of “RISEN”
Steven Mirkovich, ACE has edited over 40 pictures that include “Big Trouble in Little China” and “Con Air.” Steven...
