Patrick Lawrence on editing Clara’s Ghost
The film Clara’s Ghost premiered recently as part of the 2018 Sundance Film Festival NEXT program. Written and directed...
Natural Night filter for cityscapes and video
The ability to reduce light pollution when photographing the night sky was covered in the first article about NiSi’s...
Day 5 #28daysofQuickTips 2018 – Mute Clips in the Media Composer timeline
Following along with yesterday’s QuickTip to move clips up and down in the Avid Media Composer timeline, here’s another recently...
Day 4 #28daysofQuickTips 2018 – Move Up Move Down in Media Composer
Premiere Pro (and okay maybe Final Cut Pro 7 Classic editors if there are any really still out there) editors...
ART OF THE CUT with Oscar nominee Tatiana Riegel, ACE
Tatiana Riegel, ACE just won the ACE Eddie for Best Edited Feature Comedy and has been nominated for this...
Alpha Channels: The good, the bad & the ugly
Alpha channels are the basis of digital compositing, but there are two different types – straight and premultiplied. Understanding...
Day 3 #28daysofquicktips 2018 – Track patching with the keyboard in Premiere Pro
Adobe Premiere Pro has an unbelievably advanced set of keyboard shortcuts but many of those are unassigned. One of...
From the Field to Final Cut
This week on MacBreak Studio, Steve Martin from Ripple Training explains how he uses his iPad Pro to start...
Day 2 #28daysofquicktips 2018 – Mark IN for Match Frame in Premiere
For a few of our tips this month we’re going to look at some newly added features in recent...
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...
