Mercalli® V4 Suite from proDAD is now available for Sony Vegas Pro
We’ve previously covered what Mercalli V4 can do to and for footage, and it’s no small feat. As Bruce...
Media Composer 101 – Advanced – Archiving your Project Part 3 – Automatic Duck’s Media Copy
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at another...
Codecs, Codecs, Codecs – The most confusing aspect of editing
As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer. Most...
Adobe Premiere Elements 14 offers initial 4K UHD support
Adobe’s consumer division just announced Premiere Elements 14 and Photoshop Elements 14, including many new features. One of the...
Pulling a difficult key in Final Cut Pro X
On this week’s Under 5 minutes, I provide some tips on how to key highly compressed footage shot against...
Fujifilm: in search of film’s soul in a digital world
One recent example of how Fujifilm continues to explore the relation between film stock and modern sensors is visible...
Performance auditions in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip for using auditions in...
Ideal storage for 4K video workflows released
QNAP has just announced the TVS-871T, which is the first NAS that has storage that can be configured for...
After Effects Hidden Gems Weekly: Preserve Frame Rate
After Effects is a very logical program if you know it works underneath the hood, and a baffling mystery...
Post Production workflow for feature film “War Room” Part 2
This is the second in a three part series on the post production workflow of the Number 1 movie,...
