Examining technology’s impact on content management in media and entertainment
It’s no secret that technology has changed the way media & entertainment professionals operate across the board. Whether it’s...
Publishing a shape from Motion to Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can once again use Motion...
Media Composer 101 – Lesson 12 – Import Settings Part 1 – Supported Codecs
In this lesson, Kevin P McAuliffe talks about your Import settings, and focuses in on a very important aspect...
Motion Tracking, After Effects, and CINEMA 4D Lite
After Effects features a 3D Camera Tracker that examines already-shot footage and attempts to reverse-engineer where the camera was...
4K insights, education and a place to showcase some amazing work will all be featured on Sony’s new YouTube channel
While there are still people debating about the merits of 4K, most professionals have embraced the fact that 4K...
Track objects in Adobe After Effects automatically, intuitively, precisely and quickly with fayIN
IBC featured no shortage of new products and updates, and the promises made about the impact such things will...
A landscape eBook for the weekend
Rocky Nook’s eBook of the Week for the week ending October 4 is The Art, Science, and Craft of...
Media Composer 101 – Lesson 11 – Grid Settings & 4×3 Safe in 16×9 projects
In this “back to basics” lesson, Kevin P McAuliffe talks about Grid settings inside of Media Composer, and why...
Win a free eBook copy of Guy Tal’s new book!
Guy Tal’s More Than a Rock: Essays on Art, Creativity, Photography, Nature, and Life is a 256 page book...
After Effects Hidden Gems Weekly: Mixing Audio
After Effects offers two ways to adjust the volume of an audio layer: the Levels parameter in the Timeline,...
