A digest of last week’s photo and video news – Week 44
Sony buying Toshiba’s sensors, a new Olympus 300mm Pro lens for Micro Four Thirds and the FilmConvert Color Up...
Media Composer 101 – Lesson 13 – Import Settings Part 2 – Graphic Imports
In this lesson, Kevin P McAuliffe continues his look at importing in Avid Media Composer, and gets specific about...
Art of the Cut: The Martian with Cheryl Potter
A follow-up to my interview with 2-time Oscar winning editor, Pietro Scalia and “The Martian.” To dive deeper into workflows, project...
4-camera shootout in-studio with greenscreen & TriCaster virtual set
The goal was to compare several cameras that made me curious for studio use with a greenscreen using a...
Media Composer 101 – Best of Free – MPEG Streamclip
In this lesson, Kevin P McAuliffe answers another question that was asked in the “Avid Editors of Facebook” group...
Exclusive details around the newly released style effects libraries and textured overlays from Rampant Design
Some pretty cool news went out today as Rampant Design announced they were releasing Rampant Motion Graphics for Editors...
The ideal bags for female photographers
Three new bags in the Think Tank Photo line introduce a fresh look to the old saying “made by...
Fast Grade Versioning in DaVinci Resolve
In this episode of DaVinci Resolve in Under 5 Minutes, Alexis Van Hurkman will show you how to quickly...
From iMovie iOS to Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how we can use iMovie for iOS...
HDR has arrived – are professionals and consumers ready for it?
Dolby Vision has had a presence at industry events for many years now, but high-dynamic range (HDR) technology is...
