Exploring Workflow, Storage & Archive in M&E: Different scales, same tools
At IBC, one of the things that caught my eye was around how prevalent things like “workflow” and “ecosystem”...
V-Log L on the GH4: don’t panic
I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external...
Sony RX1R II: in pursuit of the ideal viewfinder
While we’ve all grown used to pop-up flashes, not many are aware of pop-up viewfinders. It’s a trend Sony...
iMovie adds 4K UHD & the often hazardous ±60 fps distribution
A few weeks after adding 4K UHD to iMovie for iOS 9 (and Adobe’s adding it to its Premiere...
Media Composer 101 – Advanced – Multi-Channel Audio Exports
In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always...
Skimming tricks in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how you can use clip skimming to quickly...
ZEISS Otus 1.4/28: an artistic tool
With the new ZEISS Otus 1.4/28, users of shorter focal lengths can now also take advantage of the uncompromising...
Product Review: SwiftCam M3S Smartphone Handheld Stabilizer
DSLRPros has upped their game with a brand new brushless handheld smartphone stabilizer, the SwiftCam M3S. I’ve had a...
After Effects Hidden Gems Weekly: Fading Multiple Layers
The strength of After Effects is its ability to composite together a stack of layers to create a compelling...
Canon PowerShot G5 X and G9 X: shooting for the stars
Canon is building a family of large sensor cameras – 1 inch – with the 5 PowerShot G-series cameras...
