How to record great location sound without a boom operator
One of the worst mistakes you can make when recording location sound is to rely on a boom shotgun...
The Panavision Millennium DXL: Light Iron and RED create a winning new look for large format cinematography
My invitation to a mysterious press event was nearly one of the biggest surprise announcements of the year. That morning...
Let’s Edit with Media Composer – ADVANCED – BCC Pan & Zoom
In this lesson, Kevin P McAuliffe steps up his Pan & Zoom game by looking at BCC’s Pan &...
Comparing wireless audio mixer’s specs: Behringer/Midas & Mackie
Thanks to two colleagues, I have become aware of inexpensive wireless audio mixer offerings from Behringer/Midas & Mackie. Alex...
REVIEW – Screenflow 6 from Telestream
When you do a ton of online training, like I do, there are two hugely important factors that you...
An Avid DS for free: Fusion Connect turns your Avid into a finishing powerhouse.
Blackmagic just announced a free live link from Avid Media Composer to Fusion free or Fusion Studio, their high-end...
Choosing a video production drive
Back in the 20th century drive choice was a little simpler: hard or floppy. These days when it comes...
Selective Audio Filtering in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how he prefers to apply audio filters...
ART OF THE CUT with editor Leo Trombetta, ACE of “Mad Men” “Narcos” “Roswell” and “Luck”
Leo Trombetta, ACE has professional credits dating back into the mid 1980s and has been in the editor’s chair...
Colour grading in your DSLR or in post
While for many cinematographers the ideal path goes through a colour correcting and colour grading process in post, something...
