5 Things You Need to Know About LTO
Michael Kammes loves talking about new and useful tech, and sometimes he records himself while doing so. In the...
Art vs Advertising: The reality behind my first rejection
20 years ago this week I answered the phone – and this is what I learned. Recently, Richard Harrington...
Let’s Edit with Media Composer – ADVANCED – Custom Transitions
In this lesson, Kevin P McAuliffe shows you how to create a custom transition to work with in your...
See Adam Wilt and I at CineGear
DSC Laboratories, makers of the finest camera and color calibration charts in the world, has hired fellow PVC writer Adam...
Remote Broadcasts: Television’s Traveling Roadshow
As television struggles to re-invent itself to stay relevant in a world increasingly getting their video fix from so-called...
How I Learned Composition at 12 Years of Age
At 12 years old I knew I wanted to look through cameras for a living. Thanks to Youtube, I’ve...
VR is seriously cool. But is there money in it?
If you spent just a few minutes at NAB this year you would have picked up the three big...
Review: ATH-AG1x mic/headset for isolation
In the past, I have reviewed several different headsets. I always cover their practical uses, and also how close...
New Regulations Mean New Solutions for Camera Batteries, and Anton/Bauer Has You Covered
On February 22nd the International Air Transport Association adopted recommendations that lithium ion batteries be forbidden, on an interim...
ART OF THE CUT – Clayton Condit cuts “Voice from the Stone” on FCP-X
Art of the Cut takes a deep dive into what it’s like to cut a feature film in FCPX...
