ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...
CREATING YOUR OWN DCP’S – GETTING STARTED
One question that I get asked a lot is, “How do I create my own DCP’s for delivery to...
Introducing Vegas Pro
Vegas Pro is a comprehensive, all in one post production “must have” NLE companion with everything you need to...
The first 30 days (or so) of Media Composer First
Well, we’re running into the first 30 or so days of Media Composer | First, the long awaited (two...
Valerian: Luc Besson’s hero drives a Lexus
Valerian, the film, picks the comic series from 1967 and mixes it with a promise of the future: the...
Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings
If you’re ready to take the plunge, and start working in Media Composer | First, we’re here to help...
This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh
Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
Review: AT875R shotgun mic & AT8415 shockmount from Audio Technica
Most people think about using a shotgun mic for dialog, and mainly outdoors. However, the US$169 AT875R from Audio...
Sigma may develop anamorphic lenses
Sigma entered the CINE market last year, offering now a total of 10 lenses for cinematographers. A family which...
