Classic Course: Lighting Tricks in After Effects
As we mentioned last week, we’re re-publishing some of our older (but still useful!) courses for free. This course...
Siggraph 2017: the beginning of the end for assistant editors
Siggraph 2017 is essentially an NAB show for Pixar computer science geeks and VFX artists. But it also reveals...
ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK
Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which...
Let’s Edit with Media Composer – What’s New in v8.9
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about some of the great new features...
Creating a Pleasantville Effect in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to use Final Cut Pro X’s...
Unity: introducing the era of procedural cinematography
Timeline and Cinemachine, which allow artists to create cinematic content and gameplay sequences without the need for coding, are...
Epic Games: real-time production is the future of content creation
Real-time production is the future of content creation, according to Epic Games, and Unreal Engine is putting that front...
Fujinon Lunch & Learn Lenses in PDX (and elsewhere!)
This just in, via Twitter and Instagram: Come by Koerner Camera-Portland for a Koerner Cinema Series...
Review + comparison: iRig Pro I/O cross platform audio interface
In this article, I’ll review the new <US$150 iRig Pro I/O cross platform audio interface, with preamp and A-to-D...
Classic Course: Fields & Interlacing
Some of our older video & motion graphics courses are being retired from the Lynda.com/LinkedIn Learning catalog. However, a...
