Classic Course: Working with “Pulldown” Footage
We kicked off this “classic course” series with a post on working with interlaced footage. Now we can share...
Adobe Video at IBC 2017
Adobe has revealed enhancements to their Creative Cloud video tools and services at IBC 2017. From September 15-19, Adobe...
Premiere Pro Collaboration and LumaForge
As the Chief Workflow Engineer at a server company, I am very excited about the new collaboration features in...
Adobe announces updates to the Creative Cloud video apps ahead of IBC, Premiere Pro included
With IBC just around the corner that must mean it’s time for another update to the Adobe Creative Cloud...
Art Of The Shot: “Menashe” Cinematographer Yoni Brook
In this version of Art of the Shot, I had the opportunity to talk to “Menashe” cinematographer Yoni Brook....
Review: Digital Anarchy Transcriptive – automated transcription for Adobe Premiere Pro
Every now and then a little tool comes along that just might transform your editing and post-production workflow. I’m...
Sony VENICE – Something Rather Remarkable
The new $42,000, full-frame Sony VENICE debuted on the Sony Pictures lot at the beginning of September and it...
ART OF THE CUT with Oscar Winner Alan Heim, ACE
Alan Heim is the former President of American Cinema Editors and is the current President of the Motion Picture...
Charlie Parish: three years filming HBO’s The Defiant Ones
Charlie Parish put a camera on his shoulder, either a Canon Cinema EOS C300 or C500, and took off...
Is your HD camera “shy” in 1080p mode?
Is your HD camera “shy” in 1080p mode? When you want to use your HD camera in a studio...
