Charlie Parish: three years filming HBO’s The Defiant Ones
Charlie Parish put a camera on his shoulder, either a Canon Cinema EOS C300 or C500, and took off...
Is your HD camera “shy” in 1080p mode?
Is your HD camera “shy” in 1080p mode? When you want to use your HD camera in a studio...
Creating a Tilt-Shift Effect in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create a tilt-shift effect on...
ON1 Photo RAW: new features coming soon
Launched one year ago, the ON1 Photo RAW Project has helped ON1 to develop its photo editor based on...
Sony Unveils VENICE, its Full-Frame Flagship Cinema Camera
This is a Sony first; releasing a camera with a name, VENICE. It’s a Full-Frame digital motion picture camera...
Classic Course: Instant Sex
We’re re-publishing some of our older but hopefully still useful courses for free. This technique is one of our...
ART OF THE CUT with Jake Roberts, ACE on “Hitman’s Bodyguard”
Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...
Windows 10 brings Mixed Reality to the masses
The next Windows 10 update, next October, will open the doors of Virtual Reality to the masses, promises Microsoft....
Using ‘Synchronize’ in Premiere Pro
The Synchronize command in Adobe Premiere Pro won’t fix audio and video out-of-sync within a video file (retiming is...
Generic Screen Replacements in Motion and Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can use Motion’s tracking and...
