Silicon Power 256GB CFX CFast 2.0 Review
Budget-friendly camera approved memory cards are a pleasant combination. Silicon Power appears to have such a combination. Silicon Power...
Review: PreSonus PD–70 impoppable dynamic studio microphone
Here is my review on the PD–70 dynamic studio microphone. For the human voice, it sounds great, isolates well...
Avid end the year with Media Composer 2020.12
I have to admit that Avid Media Composer hasn’t been front and center on my editing radar this year as...
After Effects Classic Course: Rigid Mask Tracker
Following up on our recent posts about the Warp Stabilizer and 3D Camera Tracker, in one of the first...
Loupedeck update finally adds support for Motion parameters in Adobe Premiere Pro
Normally I don’t write a blog post about every little updated to every little piece of post-production software installed...
Art Of The Cut Podcast Eps. 78 (“Minari” Editor Harry Yoon, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Nobe Color Remap for all your post-production tools. The original Color Warper
Every now and then you see a new tool in post-production and you say “wow that is unique.” For...
ART OF THE CUT with Harry Yoon, ACE, editor of Oscar contender, “Minari”
Today, I have the pleasure of interviewing Harry Yoon, ACE again. We last spoke about his editing of The...
Aging an actor with Adobe Sensei and Mocha Pro 2021
In the age of 4K and beyond, it’s very hard to convincingly make an actor look old using practical...
Reviewing The DZOFilm 10-24mm T2.9 M4/3 Cinema Lens
I may be slightly late and slightly slow, massive understatement, with this review of the DZOFilm 10-24mm T2.9, but...
