Art Of The Cut Podcast Eps. 80 (“Wonder Woman 1984” Editor Richard Pearson, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
2×4, 24p, 30p, billion and podcast: Five abused terms
How many misunderstandings occur when someone says (or writes) an inappropriate word or term? How often are people confused...
The World Heritage tests new Canon Cinema EOS 8K camera
The new 8K Canon EOS Cinema camera is being tested and a new video from “The World Heritage” documentary...
REVIEW – Continuum 2021 AVX
If you use effects in your editing timeline (and let’s be honest, who doesn’t), then you’ve come across Boris...
ART OF THE CUT with Oscar nominee Andrew Mondshein, ACE on editing “Ma Rainey’s Black Bottom”
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix...
The Cinematography of FATMAN // Johnny Derango Interview
Recently I was given the opportunity to interview Cinematographer Johnny Derango (Small Town Crime, Lost on Purpose), who returns...
Art Of The Cut Podcast Eps. 79 (“Ma Rainey’s Black Bottom” Editor Andrew Mondshein, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
The 10 Adobe Premiere Pro and After Effects updates in 2020 that should be part of your workflow
If you’ve been using Adobe video applications for a long time it’s easy to miss new features that arrive...
Review: HandShaker transfer-macOS for Android devices + Auphonic crossgating resolution
Auphonic is still the king of automatic crossgating to reduce crosstalk among multiple microphones (especially when there is much...
Making Virtual Production a reality for independent films
Virtual Production is becoming a practical solution for mainstream productions that need to consider social distancing and budget. A...
