Art Of The Cut Podcast Eps. 87 (“The Queens Gambit” Editor Michelle Tesoro, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
A key accessory for photographers: a car jump starter
A portable power station may be your first choice for when you’re away from regular energy sources and still...
“Ma Rainey’s Black Bottom” DP Tobias Schliessler, ASC // Frame & Reference Ep.3
Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan of OWL BOT. Each episode dives into...
PROGRESS: peeking from behind the Iron Curtain
The complete film heritage of East Germany is now available in one place, at PROGRESS.film, a fantastic collection offering...
On saturated light: making two lights emit the same colour
Writer’s note – I’ve been accused, in the past, of spoiling the fun for people who design and use...
Frame.io Camera to Cloud sends proxy files from the set right to editorial
With the introduction of the new Frame.io Camera to Cloud workflow something that editors have long dreamed of will...
Art Of The Cut Podcast Eps. 86 (Legendary Editor Arthur Schmidt, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Review: LucidLink cloud-based media for video editing and post-production
When I was at NAB New York back in the fall of 2019 the world was a different place....
Lucy: the first AI Virtual Being Premiere at Sundance 2021
Lucy, who won an Emmy in 2019, was at the Sundance Film Festival to show her short film, “Dracula”....
Reviewing the New Vazen 85mm T2.8 1.8x Full-Frame Anamorphic Lens
Who doesn’t love the look of an anamorphic lens? Anamorphic lenses offer interesting image characteristics and, traditionally, can be...
