Art Of The Cut Podcast Eps. 89 (“The Forty-Year-Old Version” Editor Robert Grigsby Wilson)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Review: Postlab Drive
Let’s talk about Postlab again. You know Postlab, the cloud-based post-production collaboration tool that I have reviewed here on...
Life.Church defines positive cost-to-benefit lighting opportunities thanks to the ARRI Orbiter LED Light
While it’s easy enough to get all the information you need about ARRI lighting products from your smartphone, the...
Defining Color Correction in Production – From RGB to CRT to HDR
Back in the day, color was simpler. A show could change stocks and play around with printer lights, but...
“At The Ready” DP & Director Maisie Crow // Frame & Reference Ep.5
Frame & Reference is a conversation between Cinematographers hosted by Kenny McMillan of OWL BOT. Each episode dives into...
I switched from Mac to PC & built a system to run Media Composer
I made the switch from Mac. There. I said it. Now, with that said, I haven’t completely switched from...
The Scream: a VR documentary inside a madman’s painting
The Scream will be displayed in the National Museum’s new building due to open in Oslo in 2022, but...
Art Of The Cut Podcast Eps. 88 (“One Night in Miami” Editor Tariq Anwar)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
After Effects & Performance. Part 16: A few bits and bobs
As this series on After Effects and Performance draws to a close, there are a few loose ends to...
Review: Maono AU-HD300T dynamic hybrid USB/XLR microphone
Here is my review of the Maono AU-HD300T dynamic hybrid USB/XLR microphone. I am glad to see the market...
