The Five Things Everyone Needs to Know Adobe Color Mode in Premiere (beta)
If you’ve been editing in Premiere for a while, you’re used to treating color as a set of sliders,...
Laowa 4.5-10mm f/2.8 CF Zoom Fisheye: one lens, dual perspectives
Specifically engineered for APS-C and Micro Four Thirds (MFT) systems, this compact “muffin-lens” brings our most playful focal lengths...
ZEISS to unveil major advancement in lens technology
ZEISS to unveil major advancement in lens technology at Los Angeles Showroom, debuting what the company describes as “a...
XPPen launches console for professional editing workflows
Compatible with DaVinci Resolve, Premiere Pro, Photoshop, Lightroom Classic and Final Cut Pro, the XPPen Pilot Pro Editing Console...
DJI RS 5 Review: Refining the Workhorse
Honestly, this might be the easiest review I’ve ever done. Is the DJI RS 5 good? Absolutely! So, what...
Tool Tip Tuesday for Adobe Premiere Pro: Show Duplicate Frames in Timeline
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition There’s a very useful timeline setting that will add...
Why you should care about keyframe graphs
Keyframe animation is an important topic for a video editor and animators alike. While not every editor needs to...
Why creatives are turning to AI to refine their work and meet rising expectations
Creative pros say that their use of AI tools is growing fast and that the new technology is not...
The Color Foundry Film Emulation System
Many editors, colorists, and videographers want to achieve the look of film using their favorite digital cameras. There are...
Sony Xperia 1 VIII drops telephoto zoom, keeps 3.5mm jack
The new telephoto camera in the Xperia 1 VIII is equipped with a 1/1.56-inch image sensor, approximately four times...
