Sony shows at Cine Gear Expo new RIALTO 65 for VENICE 2
Designed to extend the capabilities of the VENICE 2 platform, the new RIALTO 65, now in development, is planned...
Newest Beta SP decks celebrate 25th birthday
Every so often, the BBC proudly puts out a press release that it has found a long-lost episode of...
Tool Tip Tuesday for Adobe Premiere Pro: Understanding the Status column
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Offline media can be a big frustration when working...
ZEISS Horizon Anamorphic: new technology for cinema lenses
The new ZEISS Horizon Anamorphic introduce a new lens technology platform that answers the need for speed and precision...
After Effects Portal May 2026
After a breakneck few months of big features, AI and freemium competition, news on Adobe After Effects has returned...
Hands-on with GoPro Lineup in the field (plus Mission 1 Pro)
There’s been a lot of updates and new product releases from GoPro that’ I’ve finally had an opportunity to...
ZEISS Panoptes 65 cinema lenses debut at Cine Gear Expo LA
Designed for the 65mm format, this comprehensive set of ten primes under the name Panoptes 65 represents the ZEISS...
Descript: Amazing improvements in transcription + Transcription Glossary in May 2026
I have been a very happy user of Descript since 2023 at least, although I have mainly used it...
Rethinking color correction in Final Cut Pro, with Kolor
The three most widely used NLEs have always taken very different approaches to dealing with colour. Resolve’s origins as...
Tool Tip Tuesday for Adobe Premiere Pro: Perfect Sequence Templates (With Track Names That Actually Stick)
Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition One of the signs of an experienced editor: specific...
