Color Management Part 2: Newton’s Prisms
Color management may not be fun, but we once we break the topic down into small parts it becomes...
Color Management Part 1: The Honeymoon is over.
Welcome to the first part of my new series on color management. Although it’s exciting to launch a new...
AE 2022: Multi-Frame Rendering has arrived!
Last week Adobe released After Effects 2022, which includes a number of new features that massively improve performance. I’m...
Binning it: Understanding layer rendering order in After Effects
After Effects revolves around a layer-based timeline, and this core functionality is largely responsible for defining what After Effects...
Using EXRs and DWA in After Effects
Codecs aren’t the most exciting thing to write about, but a recent update to After Effects included a tiny...
How to scale a 3D scene in After Effects
After Effects can import simple 3D scenes, either natively using the .ma file format, or with 3rd party plugins...
Fractal Noise: Advanced analysis of After Effects most versatile plugin
Fractal Noise is the most verstaile plugin that comes with After Effects – at least that’s what I wrote...
After Effects: Making a composition render 70 x faster
Rendering times in After Effects can vary a lot. If you’ve been using After Effects for a while, you’ve...
After Effects & Performance. Part 18: Multi-Frame Rendering is here
The most fitting end possible for this series on “After Effects and Performance” is an interview with Sean Jenkin,...
After Effects & Performance. Part 17: Interview with Sean Jenkin from Adobe
There’s good news, and there’s bad news. Actually, it’s better than that. For all After Effects users out there,...
