Flexible Connections in Final Cut Pro X
This week Steve Martin from Ripple Training and I continue our discussion of the features introduced in the Final...
Adobe has lots of blogs but Kevin’s is the best one
While recently clicking around and updating my RSS feeds in the good ‘ole Google Reader I happened upon this...
LIGHT METERS: What are Incident Meters Good For, Anyway?
Way back when I shot film I was a serious devotee of The Zone System. I lived and died...
Small tablets (Kindle Fire HD, iPad mini, Nexus 7) for content producers and consumers
Back in June 2012, I published Google’s new Nexus 7: a general first look for content creators and consumers....
Pro video seminars in Bogotá, Colombia on November 13, 2012
Allan T©pper will present on three hot video pro topics on November 13, 2012 in Bogotá, Colombia, South America....
Multi-Camera Import in Final Cut Pro X
The Final Cut Pro X 10.0.6 update includes many workflow improvements across the entire editing process. In this episode...
Kicking the tires on Final Cut Pro X 10.0.6
Apple has dropped a new release of Final Cut Pro X. 10.0.6 came down from the cloud on Tuesday,...
CAMERAS: More Thoughts on Canon’s Color Science, This Time with Pictures
Accurate color and pretty color are not always the same. Let’s compare two Canon C300 color matrices and see...
CAMERAS: Focusing and Setting Parallax on a 90-year-old Camera
When working with 90-year-old motion picture technology it’s not unusual to wonder how anything got made at all. Here’s...
CAMERAS: Thoughts on the Canon C300’s Color Science
In theory I like the Canon C300. It’s small, it’s well designed, and it can make pretty pictures. The...
