3D HFR and the Immersive Experience
There seems little doubt that display technology and the way we experience media today won't necessarily look the same...
Moving and Sharing Final Cut Pro X Effects
Happy New Year, everyone! We are starting off 2013 by getting a little “terminal”: I talk with Steve Martin...
A Tale of Two iPads
In 2011 I bought an iPad 2, and in 2012 I traded it up for an iPad 3. For...
Exporting Ranges, Chapter Markers, and Keywords
For this holiday week, Steve Martin from Ripple Training shows me the great new exporting options available in Final...
Videoguys’ 2012 Holiday Gift Guide
It's hard to believe that the holidays are here again. I want to apologize for getting this article out...
MacBreak Studio Live
If you missed our live show last week, you can now catch it below. Steve Martin from Ripple Training...
Made with After Effects
We are happy to announce that for the third year in a row, we will be working with the...
EOS C500 Workflow
The advent of 4K digital cinema has presented a wide array of workflow options and challenges for imaging professionals....
Is After Effects for Editors?
An article published last month on the Adobe Press site has sparked much discussion and a little controversy, so I think it's...
Color Correction Tips From Steve Hullfish
Has a director ever asked you if you can fix a few bad shots? Have you struggled to make...
