Why We Need Color Correction
The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals,...
Tools and free models for Element 3D
Topher Welsh is back with his takes on After Effects, VFX, and motion graphics at VisualFXtuts. It's also a...
Sneak peeks at Adobe Max 2014: Editing, animation, audio, and design
In addition to a new family of iOS mobile apps and enhanced Creative Cloud 2014.1 desktop tools, Adobe previewed...
Know the Pro: Stu Maschwitz
This article series, to be posted once a month, will focus on one person in the Film or Television...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
Video Copilot Element 3D v2 unveiled
Andrew Kramer unveiled new features coming in the long-awaited Video Copilot Element 3D V2, which is compatible with AE...
New Creative Cloud and mobile apps at MAX 2014
Today at Adobe MAX 2014, Adobe released a new family of iOS mobile apps and enhanced Creative Cloud 2014.1...
After Effects World keynote by Andrew Kramer
Andrew Kramer presented the keynote at the 2014 After Effects World conference and made it available on Video Copilot....
Premiere Pro News Notes #10
Here's another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have been...
Shatter glass in After Effects
The easiest way to simulate shattered or broken glass in After Effects is with Shatter, an older 8-bit per...
