Wringing the Life Out of an Old Mac Pro Tower
There’s a whole lot of us who still have a big, old aluminum Mac Pro tower sitting around doing...
Let’s Edit with Media Composer – Lesson 2 – Project Selection/Creation
Media Composer 101 has been rebranded to Let’s Edit with Media Composer! Enjoy all the new tutorials at the...
Is Editing Killing Us?
Sitting is literally killing us. We all work ridiculous hours in our caves. We all need more sunlight. We...
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
Cineform in Creative Cloud: render quality settings + more
GoPro Cineform, aka the SMPTE ST 2073 VC-5 video compression standard, is a cross platform codec that in Creative...
Adobe Anywhere for video 2014.1
Adobe Anywhere for video is an enterprise-only solution that serves collaboration and remote workflows with version tracking and project...
Visual Effects Workflow with Final Cut Pro X
How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as...
‘Gone Girl’ workflows with Premiere & After Effects
You can view Adobe’s panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
Let’s Edit with Media Composer – What’s New in Version 8.2
Media Composer 101 has been rebranded to Let’s Edit with Media Composer! Enjoy all the new tutorials at the...
Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
