ART OF THE CUT on “Birth of a Nation”
Steven Rosenblum, ACE has edited more than two dozen movies including “Glory” (1989), “Braveheart” (1995), “X-Men” (2000), “Pearl Harbor”...
ART OF THE CUT with Michael McCusker, ACE, editor of “Girl on the Train”
Michael McCusker’s first feature film in the editor’s chair resulted in an Oscar nomination for Best Achievement in Film...
ART OF THE CUT with Chris Lebenzon, ACE on editing “Miss Peregrine’s”
Chris Lebenzon, ACE has such an extensive filmography of huge movies, it’s hard to know which ones to include...
ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”
John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and...
ART OF THE CUT with Paul Crowder of “Eight Days a Week” doc
Paul Crowder is a London-born, L.A.-based editor who just cut Ron Howard’s fantastic tribute to the Fab Four: “The...
ART OF THE CUT with David Wu, ACE
David Wu, ACE is a Hong Kong-born editor with more than 70 films to his credit. He has mostly...
ART OF THE CUT with Job ter Burg, ACE, NCE
Job ter Burg, is a member of both ACE (American Cinema Editors) and NCE (Netherlands association of Cinema Editors)...
ART OF THE CUT with Paula Heredia
I first met Paula Heredia when she was the featured speaker on documentary film editing at a Master Editor’s...
Cut like an Oscar Winner
I train professional editors all over the world and one of the fundamentals that I push is to do...
ART OF THE CUT with “GHOSTBUSTERS” editor, Brent White, ACE
If you have watched a funny movie in the last decade, you’ve seen Brent White’s work. “Ghostbusters,” “Spy,” “Anchorman”...
