It’s a universal struggle throughout much of the modern society. A first-world problem that many can relate to: how...

AJA’s Io 4K Plus, now available, simplifies 4K/UltraHD and HDR workflows and boosts audio capabilities for post production professionals....

Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at...

I wanted to follow up my review of HitFilm Pro 2017 with a look at the two products that...

The VR industry guidelines from VRIF aim to help the video industry to create and support a thriving VR...

A camera profile for the RED Weapon with a Helium 8K sensor is FilmConvert’s last offer for 2017, while...

I love LEDs. Well, mostly. I have my tricks for dealing with them, and I’m going to pass some...

In an ideal world files would be files, but reality is different:  Apple’s APFS file system is not readable...

The Video Electronics Standards Association (VESA) recently announced it has defined the display industry’s first fully open standard specifying...

For the first time filmmaker and Director, Leonardo Dalessandri jumped into the deep end and moved his entire post-production workflow...

If you need a software to create everything from leaflets or posters to a whole eBook, the new Affinity...

Christmas is one week away and your list of gifts is not yet complete? Here are some ideas you...

A distribution company is interested in meeting with you. They want to take your indie film and introduce it...

In this lesson, Kevin P McAuliffe beings a multi part lesson on Chromakeying inside of Media Composer. Lesson One...