Advanced Broadcast Solutions, a division of Key Code Media, presents a one-day Media Technology Expo, in Seattle WA on September...

When you’re shooting where the action is, the new SanDisk CFexpress Card Type B unleashes the RAW performance of...

In comes the Canon EOS C500 Mark II and all of its Full-Frame 5.9K glory. The headline on this...

Premiere Pro and After Effects now, Final Cut Pro X and DaVinci Resolve by the end of 2019. That’s...

NVIDIA announced  the availability of its new Studio Driver, to optimize performance for Cinema 4D R21, Unreal Engine 4.23...

The next full frame professional camera  from Nikon is the D6, announced as “in development”. The company says it...

Meike introduced a new lens to the market, the MK-12mm T2.2 Cine Lens, expanding its Meike Cine Lens T2.2...

3D print your tabletop dolly for your DSLR or mirrorless, add a FlexTILT Head 3D, and you’ve a solution...

For decades, FTP (File Transfer Protocol) has been used in the Media & Entertainment (M&E) industry to move files...

Nikon Inc. announced the fast, wide-angle NIKKOR Z 24mm f/1.8 S, the latest addition to the ever-expanding NIKKOR Z...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...

Sandra Adair, ACE, has a lengthy list of awards, starting with an ACE Eddie nomination for editing School of...

In this lesson, Kevin P McAuliffe gives you a great introduction to the awesome Particle Illusion effect, included in...

Blend modes, composite modes, whatever you want to call them, they have been elusive in Avid Media Composer since...