Review: RØDE Hub, for proper interconnection + power for your computer & devices
After you add up your USB audio interface(s), USB microphone(s), camera source(s), Stream Deck, foot pedal and external drive(s),...
Review: DJI Osmo Pocket 4
The Osmo Pocket has made a serious impact in the casual creator community over the last few years, and...
Camera Sensors: Mediocre Mimicry to Silicon Supremacy
For a century, the photochemical process was the backbone of cinema: Light struck the emulsion on a strip of...
Clear Angle Studios launches modular Volumetric Capture Rig
The VCR solution is the first purpose-built 4D Gaussian splatting capture system from Clear Angle Studios, the preferred scanning...
How are Sports, Faith and Broadcast Applications Utilizing the Sony BRC-AM7 and HXC-FZ90 Cameras?
The cross-industry implementation of equipment and technology is now just as important as the hardware itself. A studio-caliber camera...
Accsoon at Cine Gear 2026 – Underdstanding the Benefits of the All-In-One CineView M7 Pro Smart Monitor
The CineView M7 series that Accsoon showcased at Cine Gear 2026 represents a major shift in how the company...
AJA at Cine Gear 2026 – How ColorBox and UDC-4K Solve the Chaos of Modern Multi-Format Sets
AJA Video Systems is an industry leader in broadcast video, best known for their lineup of video capture cards,...
ZEISS at Cine Gear 2026 – Hands-On with Panoptes 65 Lens Series and the CinCraft Scenario System
ZEISS has long held an ironclad reputation among filmmakers for engineering cinema glass with unmatched optical clarity and pristine...
Nanlux at Cine Gear 2026 – Pushing the Limits of Scale and Spectrum with the Matrix 2500C
The race for the ultimate cinema light has always been a balancing act between raw output, precise color fidelity,...
Core SWX at Cine Gear 2026 – Streamlining the On-Set Power Crisis
The professional production industry has a lingering, messy problem: a chaotic hodgepodge of proprietary chargers, unoptimized battery setups, and...
