Fujifilm’s free color space converter
Fujifilm makes high-end LUT boxes allowing both color space conversion and look creation. The flagship IS-100, a.k.a. CCBOXX, is...
Let’s Edit with Media Composer – ADVANCED – Audio Ducking In-Depth
In this lesson, Kevin P McAuliffe answers a great viewer question about the Audio Ducking feature in Media Composer,...
Real-world, same-day editing with the Lumaforge Jellyfish and Adobe Premiere Pro
Earlier this summer I was hired on a job to edit same day content for CMA Music Festival. It’s...
HP ZBook Studio G3: How to output standard framerates over HDMI
Despite deceitful rounding in camera menus from otherwise responsible manufacturers including Canon, JVC, Panasonic and Sony, rates like exact...
Creating an animated gobo in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to build, position, and animate a...
Free Function Friday Complete Series
Free Function Friday Complete Series
AE Project Diary: 3) Ausgrid
What makes a project good to work on? I’ve worked on more productions than I can remember but some...
Let’s Edit with Media Composer – ADVANCED – Working with LUT’s
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re...
ART OF THE CUT with Tom Cross, ACE of “Whiplash,” “JOY,” and “La La Land”
Art of the Cut caught up with Oscar winning editor, Tom Cross, as he was cutting his upcoming feature,...
Orbiting objects in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to approach a basic animation task...
