DaVinci Resolve on a Surface Pro 4
Blackmagic Design and Intel loaned me a Surface Pro 4 to test the performance of the Iris GPU and...
ART OF THE CUT with Paul Crowder of “Eight Days a Week” doc
Paul Crowder is a London-born, L.A.-based editor who just cut Ron Howard’s fantastic tribute to the Fab Four: “The...
Enhance the Match Frame command in FCPX with this little hack
I’ve spent the last 6 weeks or so cutting a big yearly corporate job in Final Cut Pro X....
Creating XML templates in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create XML templates for Final...
X-Rite: i1 Filmmaker Kit at IBC 2016
The i1 Filmmaker Kit is a convenient kit of two essential color tools – i1Display Pro and ColorChecker Passport...
Blackmagic Design acquires Fairlight
The 2016 edition of the trade show IBC, in Amesterdam, represents a new step for Blackmagic Design. Besides the...
ART OF THE CUT with David Wu, ACE
David Wu, ACE is a Hong Kong-born editor with more than 70 films to his credit. He has mostly...
Boris FX acquires GenArts and the Sapphire effects package
Here’s a little bit of acquisition news that is worth noting for editors out there: Boris FX has acquired GenArts,...
Locating missing FX in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training a product that helps you to locate...
Ang Lee: frame rate as a creative tool
Filmmaker’s Ang Lee latest feature Billy Lynn’s Long Halftime Walk unprecedent blend of visual formats is again theme for...
