Rigging Transitions in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to rig a transition in Motion...
Small Camera, Big Picture – Producing a Dream with the Sony a6300
Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with...
After Effects Bootcamp for Avid Editors – Part 2
If you’re a Media Composer editor looking to add Adobe After Effects to your editing toolkit, part two of this two...
King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos
The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods...
ART OF THE CUT editing Best Picture nominee “LION”
Alexandre De Franceschi, ASE (Australian Screen Editors) has been an editor for more than 30 years, cutting over a...
After Effects Bootcamp for Avid Editors – Part 1
If you’re a Media Composer editor looking to add After Effects to your editing toolkit, this first of a...
Get Started Fast with Media Composer for Adobe Editors — Part 5
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Let’s Edit with Media Composer – What’s New in 8.8
In this lesson, Kevin P McAuliffe talks about the newest features in version 8.8 of Avid Media Composer, including...
Creating custom camera archives in Final Cut Pro X
We are back after a short break! This week on MacBreak Studio, Steve Martin from Ripple Training shows us how...
ART OF THE CUT with the editors of “Westworld”
Today’s Art of the Cut is with the editing team behind the critically acclaimed HBO series Westworld. Discussing their...
