Typography in Motion Graphics
Besides graphics, words and texts are the most decisive elements of motion graphics. Typography is vital! Typefaces have a...
ART OF THE CUT with the editors of “Power Rangers”
Art of the Cut talks to the two editors behind the re-imagined Power Rangers. Veteran editor Dody Dorn, ACE...
Get back your Molo mojo
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can move bits and pieces...
Search Bins: Premiere Pros best kept organizational secret
If you’re an Adobe Premiere Pro user, you’re going to want to read this article. It’s over a thousand...
Apple releases a new Mac Pro – a year from now
In an apparent move to head off mass desertion by creatives across the globe, Apple uncharacteristically announced a new...
ART OF THE CUT with Virginia Katz, ACE on “Beauty and the Beast”
Virginia Katz, ACE has had a prolific career as a film editor, moving into the editing chair in 1987,...
Replace with ambience in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great way to quickly remove audio...
Working with Photos in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us an interesting way to work with photos...
How TV Opening Titles Got to Be So Damn Good
Wired magazine (in conjunction with The Art of the Title) recently collaborated on a video article titled How TV...
Why Final Cut Pro X? Todo Lo Demás
Dave Cerf’s accomplishments are varied and vast. To name a few: He has composed music for Sam Green’s Academy...
