ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss...
CREATING YOUR OWN DCP’S – GETTING STARTED
One question that I get asked a lot is, “How do I create my own DCP’s for delivery to...
Introducing Vegas Pro
Vegas Pro is a comprehensive, all in one post production “must have” NLE companion with everything you need to...
The first 30 days (or so) of Media Composer First
Well, we’re running into the first 30 or so days of Media Composer | First, the long awaited (two...
Valerian: Luc Besson’s hero drives a Lexus
Valerian, the film, picks the comic series from 1967 and mixes it with a promise of the future: the...
Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings
If you’re ready to take the plunge, and start working in Media Composer | First, we’re here to help...
My multitrack crossgating audio workflow to eliminate crosstalk
Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a...
A Look Inside Canon Burbank
Canon USA has opened a new high-tech service and support center at 3400 Olive Ave. in Burbank, CA. It...
ART OF THE CUT with the editor of “War for the Planet of the Apes”
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first...
Which Editing Software is Best?
Which NLE is best? It’s a question that has been asked often and is rarely answered objectively. In this...
