The Division: how a small team uses Blackmagic Design
An Oregon based production company specializing in reality television production, The Division, is using an ATEM Television Studio HD8...
Tool Tip Tuesday for Adobe Premiere Pro: Rules, Guides, Snap, Safe
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...
Media Composer In Depth: Find and Replace
In our last “In Depth”, we talked about the great “Set Bin Display” feature inside of Media Composer, and...
Media Composer In Depth: Set Bin Display
For the next few “In Depth’s”, we’re going to be talking about bins, as they are really the core...
REVIEW: Genesis Film Emulation Plugin
For over 100 years, the photochemical process was the backbone of moviemaking: Light struck emulsion on a strip of...
Diving deeper into “50 Years of SNL Music” with co-director and co-editor Oz Rodriguez
“Ladies & Gentlemen…50 Years of SNL Music” is a documentary from co-directors Questlove and Oz Rodriguez that explores the...
Tool Tip Tuesday for Adobe Premiere Pro: Open in Source Monitor, Open Sequence in Timeline
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...
Creating Four Episodes of “Secret Level” with DIGIC Pictures for Prime Video
“Secret Level” is an animated anthology series for adults that features original stories from the sets of various well-known...
Tool Tip Tuesday for Adobe Premiere Pro: Variable Frame Rates kill timelines
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition I’m gonna tell you the number one...
Inside the Adobe workflow at Echobend
Echobend is a full-service production, post-production, creative agency, and film/TV studio in Los Angeles, creating everything from music videos...
