Flexible Workflows in Adobe Premiere Pro CC
Valentina Vee & Premiere Pro CC Valentina Vee is a creative content director. She lives in Los Angeles, but...
ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”
In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch,...
Nashville Filmmakers Guild Post-Production Workshop June 2
The Nashville Filmmakers Guild is more than just a Facebook group. It’s an active organization in and around Nashville...
Media Archiving Tips from Hollywood
The Importance of Media Archiving Media archiving and backup are vital. I was mid-way through a school project. I’d...
Top 5 New Features in Adobe Premiere Pro CC
New Features in Adobe Premiere Pro CC Adobe Premiere Pro CC had a decent update at NAB 2018. Like...
Forensic audio: Jason Levine of Adobe demonstrates with Audition
Yesterday, Jason Levine used Adobe Audition to perform a forensic audio demonstration/study during his live Internet broadcast. Even though...
Alan Bell’s Open Letter to the NLE makers
I rarely ever make a blog post these days about someone’s Vimeo or YouTube video but scrolling around Twitter...
A RED camera with a 140-year old lens
Pairing a lens built 10 years before the Eiffel Tower started to be built with a 5K RED DRAGON...
State of the NLE at Faster, Together 2018
The Right Editing Software We’ve all at least seen it happen. Someone mentions an editing software. Someone else derides...
Andrew Shulkind: human stories are our job and our lifeblood
Obsessed with movies and lighting, a photography course set the path Andrew Shulkind would walk. Virtual Reality came after,...
