Solutions to Resolve 5: Taming Color Management – Part 1
Color management in Resolve can be frustrating. In theory it should be a great alternative to using LUTs, but...
ART OF THE CUT’s Voices from Sundance Podcast Episode 1
So, you’ve been asking for a podcast for a while. This is my first attempt. I’ll be working to...
Sundance Film Festival: storytelling using VR, AR, AI and mixed reality
The 2019 Sundance Film Festival is the place to go to see first-hand the dynamic crossroads of film, art...
Photo Tour: Canon Burbank
In late December I visited Canon Burbank, an 11,000 square foot, purpose-built facility where you can see Canon’s stills,...
5 Color Illusions that Colorists & filmmakers should be familiar with
Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing...
AE Project Diary: 8) 3D City
This city flythrough was created entirely using After Effects, with the final composition involving over 18,000 layers. I made...
ART OF THE CUT with Hank Corwin, ACE on editing VICE
Hank Corwin, ACE, was nominated for an ACE Eddie for The Horse Whisperer; and for an Oscar and won...
Congratulations to the Oscar nominated editors
Art of the Cut congratulates all of the Oscar nominated editors for Best Film Editing How hard did they work...
Classic Course: Box Blur
Want to decide how smooth or coarse your blur is? This is the effect to use. The next few...
Michael Semanick – Storytelling with Sound
Michael Semanick is an award-winning rerecording mixer of some of the most creative and celebrated films to come out...
