ART OF THE CUT with Oscar-winner Lee Smith, ACE on “1917”
Lee Smith, ACE won an Oscar and ACE Eddie for cutting Dunkirk. He was also nominated for ACE Eddies...
Let’s Edit with Media Composer – What’s New in 2019.12?
Well, we’re going to round out this decade with the last “Let’s Edit” tutorial and we are going to...
After Effects & Performance. Part 6: Begun, the core wars have…
When we look back over the last 25 years of After Effects’ history, and how its performance has evolved,...
ScreenFlow 9 – In Depth
I’ve been doing tutorials online for a long time now, and I’ve done them on both Mac and Windows,...
PVC’s last minute holiday gift ideas
If you’ve left your holiday shopping for the last days and need a practical present to offer a photographer...
Faking 3D in After Effects
3D is ever present in the motion graphics world. It’s also hard to learn and, occasionally, overkill. That’s where...
Art of the Cut Podcast Eps. 26 (w/ “The Aeronauts” Editor Mark Eckersley)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with “The Aeronauts” editor Mark Eckersley
Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
After Effects Classic Course: Wiggle Transform for Shape Layers
For the next few months, we’re going to be working our way through various “new features” courses we created...
